7/31/2023 0 Comments Tyler bates![]() ![]() While still lagging behind the upper echelons of the film scoring world, and despite still suffering from a curious lack of individual personality, it is nevertheless the best score of Bates’s career to date by a country mile, making use of a big orchestra, a big choir, electronics, and some rock and 1980s pop elements, all brought together under the banner of a rousing central theme. ![]() Guardians of the Galaxy, thankfully, is a significant step forward. Ignoring the controversy surrounding his work on 300, scores like The Day the Earth Stood Still, Watchmen, and Conan the Barbarian had the conceptual and thematic potential to inspire truly terrific music, but ended up being disappointments of the highest order. I have made no secret of the fact that I have found the vast majority of Bates’s work over the past decade pretty underwhelming. I have waited for 15 years, ever since I heard his first major score for the 1999 film Rated X, to type the following sentence: finally, after all these years, here is a Tyler Bates score I enjoy quite a lot. Unexpectedly, the Guardians receive help from an omnipotent and powerful creature named Ego (Kurt Russell), who claims to be Quinn’s father… Read more… Unfortunately for the Guardians, the aftermath of their most recent job results in them running from the haughty and arrogant High Priestess of the Sovereigns (Elizabeth Debicki), space pirate Yondu Udonta (Michael Rooker), and Gamora’s vengeful sister Nebula (Karen Gillan), all of whom have different reasons for wanting to find the Guardians. In the aftermath of the events of the first film, the Guardians – Star Lord Peter Quinn (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and the newly-sprouted Baby Groot (Vin Diesel) – are now working as heroes for hire, saving planets for a price. 2, in which writer/director James Gunn blends epic space action and special effects with broad comedy and a whole host of unresolved daddy issues. The latest entry into the Marvel Cinematic Universe is Guardians of the Galaxy Vol. It’s gleefully gory, and massively overblown, but has a surprisingly heartwarming and touching emotional core too, with the latter element involving Deadpool’s ex-stripper girlfriend (Morena Baccarin) and the members of the X-Force team that Deadpool assembles I really enjoyed it. It touches on themes of family, revenge, and even child abuse, but the main selling point is the character of Deadpool himself, who is entirely aware of his ridiculous super hero circumstances, and who offers scathing commentary and snarky pop-culture references on his own adventures while dispatching the bad guys. Ryan Reynolds returns in the lead role as the reluctant hero, a mutant in the X-Men timeline with the ability to heal himself from literally any wound or illness in this film, he becomes embroiled in an unexpectedly complicated plot involving a time-travelling cyborg named Cable (Josh Brolin) who has travelled from the future to assassinate an anguished, overweight teenage mutant orphan with the ability to shoot fire from his hands (Julian Dennison from Hunt for the Wilderpeople). ![]() A wholly irreverent, self-aware, and unashamedly profane affair, director David Leitch’s film is a sequel to the unexpectedly popular 2016 original. Considering that super hero movies in both the main Marvel and DC universes have become enormously serious affairs in recent years, it’s a breath of fresh air to have something like Deadpool 2 come along. ![]()
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